OUR TEAM
Watch This Space has always had a strong, skilled Board and Curatorial Committee. All members have strategic and creative input as well as holding a hands-on approach to programming, openings and events.
If you are interested in joining either committee please contact us.
You can also view or download our Introduction for Board Members document for more information.
EXECUTIVE COMMITTEE
CHAIR
Victoria Alondra
Victoria Alondra is a poet, photographer, painter, and postgraduate student of mixed Nahua, Yaqui, and European ancestry. Born in Mexico, Victoria spent her early years between El Ahusco and Valloverde before her family was granted refugee status, settling in so-called Canada and spending her formative years in Vancouver's Downtown Eastside; Tsleil-Watuth, Squamish and Musqueam Territories.
In her artistic practice, Victoria delves into the complex interplay of grief and joy, employing them as acts of resistance against capitalism and colonialism. Victoria has built a unique personal praxis that draws from both grassroots and institutional learning to imagine and remember justice-doing.
Victoria is a key member of Fundación José Hernàndez Delgadillo, an archival record of political muralism in Mexico and Mutua Crianza, a cultural revitalisation organisation, and has assisted with curations, poetry festivals and editing creative works. Beyond the realm of art, Victoria has dedicated the last 15 years to working for specialist therapeutic programs, family violence organisations, healing centres and incarcerated children. A long-term resident of Mparntwe, Victoria seeks to continue learning and working toward building a future where, as the Zapatistas say, another world is possible.
TREASURER
Ellanor Webb
Ellanor is a photographer and arts worker with a passion for too many things to list. She has produced and participated in arts projects and exhibitions here and abroad, moving to Mparntwe from Meanjin/Magandjin in 2022 to work with Tangentyere Artists. Other working and volunteer positions have seen Ellanor support the delivery of diverse arts programming across organisations with varying missions and functions: DIY spaces, not-for-profits, contemporary studios and state institutions (QAGOMA, Art From the Margins, Gertrude Contemporary, among others). In 2024, Ellanor will move to Ngunnawal & Ngambri Country to work with artsACT and see out her term as Treasurer from afar.
SECRETARY
Lucy Stewart
Lucy is an artist, arts administrator, and educator who first arrived in the NT in 1992 and spent most of her time there living and working on Arrernte Country in Mparntwe (Alice Springs). Her passion is working within culturally rich settings to progress engaged and creative regional communities. She has experience across a wide range of arts organisations including the Araluen Arts Centre, Desart, and Arts NT. A former Director of both Tasmanian Regional Arts and Red Hot Arts Central Australia, Lucy has also served on arts boards at both national (Regional Arts Australia), and local levels (Alice Springs ARI Watch This Space and Red Hot Arts). Until recently she was the Director of the artists cooperative Central Craft.
Her art practice spans media art, ceramics, and community cultural development, focusing on collaborative artmaking and response to place. This includes developing creative initiatives like arts festivals, public artworks, exhibitions, and artist tours. In 2007 she was one of two Australians selected to participate in the Salzburg Global Fellowship on International Art and Community Practice.
For 20-plus years her practice has facilitated arts projects that support increased awareness of Mparntwe sacred sites. Most significantly the Yeperenye Sculpture at the Araluen Cultural Precinct and the Alice to Mparntwe Sacred Sites Tours for Artists that have been running since 2007.
For twelve years Lucy taught art, media, and engagement programs at the town’s only public senior college. Lucy holds a Masters in Heritage Management (Deakin, 2006), a Graduate Diploma in Teaching & Learning (Charles Darwin University, 2009), a Graduate Diploma in Cultural Heritage Management (University of Canberra, 1994), and a Batchelor of Arts, Fine Arts in Ceramics/Printmaking/Digital Arts (Southern Cross University, 1991).
GENERAL COMMITTEE
Kate Murphy
Kate M Murphy (aka Ellis Hutch) is an artist, writer and arts worker with experience working for a range of arts organisations from Craft ACT to the National Gallery of Australia, and for many years as a sessional lecturer at the ANU School of Art and Design. She moved to Mparntwe/Alice Springs in 2022 to work as a Visual Arts lecturer at Charles Darwin University and has fallen in love with the intense creative energy and powerful places on Arrernte country.
In her art practice Kate makes drawings, videos, installations, performances and soundscapes; both independently and in collaboration. She takes a curious and playful approach to investigating how people establish social relationships and transform their environments to create inhabitable spaces. She is fascinated with how we make ourselves ‘at home’ as individuals and communities while navigating the complexities of our contemporary worlds and colonial histories.
Shirley Jayasekara
Born in Sri Lanka, and raised in East Malaysia, Shirley finds freedom in contemporary movement, after journeying through ballet, Bharatanatyam, Kandyan dance, Cuban salsa and bachata. Her experiences across Sri Lanka, Malaysia, Wales and unceded lands in so-called Australia have shaped her understanding of power and identity - moving between positions of dominance and minoritization, witnessing how violence operates across different colonial contexts, and experiencing both institutional mobility and its limits when speaking against systems. Shirley currently works as a general practice doctor in Naarm, developing a praxis of medicine that resists institutional harm and prioritises justice-based liberatory healing. At Watch This Space, she brings her experience in community engagement and critical understanding of institutions to support strategic direction that platforms critical conversations.
FIRST NATIONS ADVISORY BOARD
Chair
Kumalie Riley
Kumalie (Rosalie) Riley is an Arrernte woman from Alice Springs with spiritual affiliations and connections to the land, hereditary from her grandmother. Kumalie is a well known Arrernte Elder and artist with many years of experience teaching Arrernte language in local Alice Springs primary schools and in adult education.
Kumalie has been a WTS studio artist since 2020 and is the Chairperson of the WTS First Nations advisory group established in 2021.
Members
Sylvia Perrurle Neale
Ellaine Peckham
Sabella Turner
William (Nookie) Lowah
John Hodgson
STAFF
DIRECTOR
JET NIKITINA-LI
Jet (aka Jess) is a researcher, artist and creative producer born on Boonwurrung lands and based in Mparntwe on Arrernte country. Jet’s work brings together research, video, writing and craft to critique and/or connect with marginality, place, power and bizarreness. Jet is a co-founder of Way Over There (WOT) Collective, an ARI based in the South-East suburbs of Naarm (areas represent) creating opportunities by and for BIPOC artists and their communities. Jet’s excited to keep finding or remembering ways to collaborate, experiment, collect, sustain, and imagine the otherwise together.
PROJECT & ADMIN SUPPORT OFFICER
JES COSTELLO
Jes is an artist and arts worker born, and raised in Mparntwe, Alice Springs. Jes uses whatever media they can get their hands on- always looking to try something new- to connect with their friends and family, by either making art for them, or doing art with them. They are still navigating the huge artscape that saturates their hometown, trying to figure out what stories they want to tell.
In recent years, she has been working at Jacksons Drawing Supplies, engaging with artists from all walks of life. And as of December 2023, they have completed a Certificate IV in Visual Arts, which sparked a huge interest in the behind the scenes of gallery work, and the world of arts administration.
CURATORIAL COMMITTEE
CHARLIE PERRY
Charlie Perry is an artist, curator and creative producer based in Darwin. Primarily working with photography, his arts practice is centred around learning and unlearning Australia’s colonial past and present, and the distortion of historical story telling. Charlie’s work is driven by community engagement and collaboration. either produce or manipulate sound, but has recently begun applying this knowledge to video synthesis. Over recent years Charlie has worked with remote Indigenous community art centres, most recently in Papunya where he worked as Men’s Development Coordinator at Papunya Tjupi Arts. His current role is Community Connections Art and Culture, Coordinator at The University of Melbourne’s Place for Indigenous Art and Culture supporting communities of origin to engage with their historic cultural material and to support the continuation of cultural and artistic practices in communities in Arnhem Land, Cape York, Central and Gibson Deserts. He is currently completing a Masters of Curatorial and Museum Studies and The University of Adelaide.
GEORGIE MATTINGLEY
Georgie is an artist who makes photographs, paintings, videos and public installations.
Their work uses colour and beauty and to make society’s hidden spaces more visible. By visually transforming these spaces, Georgie wants to unravel the value systems that repress them and invite a more holistic acceptance of realities that Western society encourages us to avoid.
Georgie currently lives and works in Mparntwe on Arrernte Country (Central Australia).
DAN MURPHY
An Alice Springs based artist in Australia, Dan Murphy who was born in 1963 in Melbourne, arrived in Alice Springs in 1994, making Central Australia his home. He is renowned for his art made out of scrap metal from cars.
A self taught artist, Dan has established a reputation within the NT and nationally as an innovative sculptor and highly regarded artist.
Dan produces works of small-scale as well as major collector’s pieces and commissions. His works constructed from found metallic materials including fencing wire, roofing iron and old car panels have a distinctive Territory feel. His exhibitions have been highly successful. Over the years, Dan has participated in a number of community arts projects in remote communities and in Alice Springs. These include, facilitating small scale bush toys in Santa Teresa as part of the Fencing Shed Project and constructing a monumental 18 meter long metal caterpillar at the Alice Springs Cultural Precinct.
Our curatorial committee is always made up of long-standing knowledgeable artists and arts workers within the Mparntwe and Northern Territory community. Any conflicts of interest are handled with the utmost professionalism and care.
Banner image: Past WTS Coordinators Beth Sometimes and Alexandra Hullah, 2016